Professor Hassell is a globally recognised thought leader in digital inclusion and the former Head of Audience Experience and Usability at the BBC. He is the founder of Open Inclusion, an organisation providing training and consultancy on accessibility and inclusive design. Hassell has made a significant contribution to improving web accessibility and whilst at the BBC, won awards for managing accessibility on innovative projects including BBC iPlayer. He also authored the British Web Accessibility standards, BS 8878. As the Chair of Stagetext, he combines a deep passion for the arts with 15 years of digital inclusion experience, aiming to open up Stagetext’s services to many more people.
Tim enjoyed a long career as a partner in a City law firm and as a Centre for Effective Dispute Resolution (CEDR) accredited mediator, practising in the field of international insurance and commercial disputes.
He is currently: Assistant Secretary-General of AIDA, an international insurance law association which spans approximately 60 countries, is Chair of its Climate and Catastrophic Events Working Party, a Committee Member of AIDA Europe, Vice President of AIDA's UK Chapter, the British Insurance Law Association (BILA) and a supporter of the charitable trust, City Disabilities. This work has reinforced his awareness of the importance of successfully bridging all kinds of divides which may otherwise separate or isolate us, whether personal, geographical, cultural or linguistic.
Before enjoying the huge benefits of a cochlear implant in 2015, Tim was profoundly deaf since his late teens and is acutely aware of the value of access for a wide range of activities and pursuits. A theatregoer all his life, Tim only discovered captioning in 2010. Since then, he has again been able to enjoy accompanying his hearing wife and friends to a wide range of theatre and talks events. He became a Trustee of Stagetext in 2013 and remains eager to help Stagetext promote the remarkable benefits of captioning to an ever wider audience.
James is Administrative Director, Theatre and Artist Development at The Place - the UK’s leading centre for contemporary dance. James previously held a number of senior management roles at Spektrix, which provides cloud-based box office software to arts and entertainment venues around the UK and North America. With a background in theatre box office and management, including General Manager of the ADC Theatre in Cambridge, he worked with Spektrix from 2009 to 2015, helping to grow the company from having eight clients to becoming the UK market leader. He worked across different client-facing roles with Spektrix before taking responsibility for the company's marketing and sales activity in 2011, and then moving to New York for 12 months to set up the company’s North American operations. James also continues to occasionally work as a freelance theatre lighting designer, with recent projects taking him to New York, Hong Kong and Australia.
Currently Press Manager at the award-winning Young Vic theatre, Charlotte has six years’ experience in press and publicity for the arts and culture sector. Following an internship at the Barbican Centre, she joined The Corner Shop PR, working on campaigns for productions in the West End and beyond, London 2012 Cultural Olympiad events as well as arts festivals (Manchester International Festival 2013; Yorkshire Festival 2014) and venues (Chichester Festival Theatre; Donmar Warehouse). Charlotte was a finalist in the Outstanding Young Communicator category at the 2014 CIPR (Chartered Institute of Public Relations) Awards for her campaign for the opening of the Sam Wanamaker Playhouse at Shakespeare’s Globe, amongst other projects.
From a young age Charlotte has enjoyed captioned performances, talks and other events with members of her family who are deaf and hard of hearing.
Jackie comes from a theatre management background and has worked for a range of performing arts organisations,from street arts to the West End. She has a Drama Degree from Manchester University and, much later, studied Law at the College of Law, this combination of qualifications led her to her being appointed to her present post: Legal & Industrial Relations Manager of the Independent Theatre Council. Jackie is also a qualified mediator and arbitrator, Company Secretary of Jazz Services and a Trustee of the RSA. Jackie started going to the theatre at the age of two and has continued ever since despite childhood hearing loss, she is excited about the improved access captioning offers particularly for those who have assumed hearing loss must mean loss of access to culture.
Dr. Douglas Greenig is the Chief Executive Officer of Florin Court Capital, a Mayfair-based hedge fund and part of Brummer & Partners, a leading Scandinavian asset manager. Prior to Florin Court, Dr. Greenig had been Chief Risk Officer of AHL/MSS at Man Investments, one of the world’s largest asset managers and one well known for its philanthropic activities including the Man Booker Prize. Previously, Dr. Greenig was a Portfolio Manager and Managing Director at The Fortress Investment Group and, before that, the head of mortgage trading at RBS Greenwich Capital. He began his career as a proprietary trader for Goldman Sachs. Dr. Greenig has a PhD and MS in Mathematics from University of California at Berkeley and an AB in Economics from Princeton University. He has taught Risk Management and Econometrics at New York University’s Courant Institute. As an active theatregoer, Doug is keenly interested in promoting wider access for the arts, and theatre in particular.
A digital marketing expert, Rachel started her career in broadcasting at the BBC, where she worked as a broadcast journalist for local radio and BBC online. Since then she has specialised in digital media and worked for a wide range of industries and markets, including the games and entertainment industries. She has extensive experience of both B2C and B2B having worked across the commercial and public sectors. She is now Head of Marketing & Communications at City and Islington College, one of the largest colleges in London, where she directs the marketing recruitment drive of up to 10,000 students each year.
A keen gamer, Rachel has an obsession with all things tech and has developed a bit of an obsession for story-lead games. She has also been an active theatre goer since a young child.
Rachel has been partially deaf since she was a child. She is passionate in using new technology to transform people’s lives - whether through mobile apps or gadgets - including bringing theatre and other cultural events to a wider audience.
With a background in advertising and marketing, Anuj is a Senior Management Consultant with a particular interest and expertise in embedding customer centricity within organisations. In a progressively digital world and with the use of emerging technologies (social listening, big data analytics etc.) he has led initiatives to improve customer engagement and market expansion.
Anuj has a keen interest in supporting the development sector, bringing private sector methodologies into charity working methods.
As an active theatregoer, Anuj is a champion for the arts; encouraging its wider access and appreciation.
Sally is a qualified chartered accountant and has worked as a Finance Director in three London housing associations for over 20 years. She has worked in a wide range of housing provisions including street homelessness, general needs, supported housing and shared ownership. From 2009-2015, Sally was Finance Director with Shape Arts where she gained an excellent understanding of the arts and access barriers. She now works part time on a freelance basis.
Sally has a partial hearing loss and is very interested in the development of access resources, including captioning, to enable theatre and the arts to be as inclusive, accessible and enjoyable as possible to all audiences.
For more information on how to join the Stagetext Board, please email Melanie Sharpe, Chief Executive.
On 2 November 2010 two of the founding members of Stagetext, Peter J. Pullan MBE (former Chair) and Merfyn Williams, stepped down from the Board of Trustees after devoting the last 10 years to the charity. Geoff Brown, the third co-founder, stood down in 2007. See History of Stagetext.