The real-life dance marathons of Depression-era America could last weeks, even months.
Paula Vogel’s new play is based on Horace McCoy’s classic story of ambition, desperation and determination.
In Marianne Elliott and Steven Hoggett’s production, The Bridge will be transformed into a 1930s dance hall.
Set design by Bob Crowley, music by Charlotte and Mike Truman, and casting by Charlotte Sutton. A co-production between London Theatre Company and Elliott & Harper productions, with Brandon Millan and Rick Sparks.
Captioned by STAGETEXT